Goldman, A. (2024). Attribution. Women’s Studies, 1–11.
This short story explores belonging and power in academia through the story of a young woman whose theories and ideas are plagiarized by her male colleague.
Burke, M., & Ferrari, M. (2024). Disobedient anonymity and the politics of protesting violence against women. Feminist Theory.
Abstract: This article accounts for a particular kind of politicised anonymity, namely ‘disobedient anonymity’, that operates as a liberatory response to the longue durée of gender violence. We examine the street performance Un violador en tu camino created by the Chilean feminist theatre collective LASTESIS, to show how disobedient anonymity is an embodied and collective disruption of colonial subjectification and state-sanctioned gender violence. Building on the insights of the Argentinian decolonial feminist scholar Rita Segato's analysis of high-intensity patriarchy as well as discussions of perverse anonymity in critical phenomenology, we examine how disobedient anonymity operates in Un violador as an embodied practice that makes possible a decolonising, feminist liberatory public. We argue that through the deployment of disobedient anonymity, Un violador re-territorialises and re-temporalises colonial fields of sens. In doing so, it institutes a new form of political subjectivity that upends colonial logics.
"Through an in depth analysis of key Indian filmmakers and actors, including Sanjay Leela Bhansali, Kangana Ranaut, Akshay Kumar and Anupam Kher, Ajay Gehlawat considers the extent to which recent Bollywood films reflect several of the main tenets of the Hindutva movement. He examines the growing influence of the governing Bharatiya Janata Party (BJP) on film production, as seen in filmic collaborations on themes ranging from Modi's Clean India program to India's space program, and big budget historical epics such as Padmaavat (2018) and Manikarnika (2019), which attempt to reframe Indian history in accordance with Hindutva ideology"-- Provided by publisher.